Publications
All Publications by Year
To see publications by individual author please look at the individual academic staff profile pages
2012
H Glanville, Veracity, Verisimilitude and Optics in Italy at the turn of the 17th century, KERMES, No.84, February, 2012
2011
H Glanville, Patrizia Riitano and Claudio Seccaroni, La Bella e le Fanciulle di Vienna e San Pietroburgo: spunti per una lettura integrata, Exhibition Catalogue “La donna che ha la veste Azzurra” – il restauro della Bella di Tiziano, Galleria Palatina, Palazzo Pitti, Florence, Edifir, 2011
J. Munro and M. L. Sauerberg, Action speaks louder than words: Thomas Couture as a teacher, Studying Old Master Paintings, Technology and Practice, The National Gallery Technical Bulletin , 30th Anniversary Conference Postprints, ed. Marika Spring, with Helen Howard, Jo Kirby, Joseph Padfield, David Peggie, Ashok Roy and Ann Stephenson-Wright, Archetype Publications in association with the National Gallery, London, 2011, 222-228
2010
S Bucklow, Impossible recipes, Sources and Serendipity, ed. E Hermens & J Townsend, Archetype, London, 2010, 18-22
S Bucklow, Cultural networks and artists’ materials, News in Conservation, 16 February, IIC, London, 2010, 6
M L Sauerberg, R. Marchant and L. Wrapson, The Tester over the Tomb of Edward, the Black Prince: the Splendour of Late-Medieval Polychromy in England, Monumental Industry: The Production of Tomb Monuments in England and Wales in the Long Fourteenth Century, ed. S. Badham and S. Oosterwijk, Shaun Tyas, Donington, 2010, 161-186
S Bucklow, The Rood Screen project, The Picture Restorer, 36, 2010, 34
S Bucklow, The state of research into retouching resins, Mixing and Matching , Archetype, London, ed. R Ellison, P Smithen and R Turnbull, 2010, 61-5
M Kempski, The Art of Tempera Retouching, Mixing and Matching: Approaches to Retouching Paintings, ed. R Ellison, P Smithen and R Turnbull, Archetype Publications Ltd. , 2010
A Massing, The History of Egg tempera as a retouching medium, Mixing and Matching: Approaches to Retouching Paintings, ed. R Ellison, P Smithen and R Turnbull, Archetype Publications Ltd., 2010
L Wrapson (ed.), News in Conservation, 16, February, IIC, London, 2010
L Wrapson and M L Sauerberg, Late medieval polychrome tomb testers in Canterbury Cathedral and elsewhere, Postprints to conference, held at Hampton Court Palace, October 2007 and March 2008, ICON, 2010, 69-93
2009
S Bucklow, Authenticity and science, Art, Conservation and Authenticities, ed. E Hermens & T Fiske, Archetype, London, 2009, 252-8
S Bucklow, Dragonsblood, Girton College Annual Review, 2009, 31-3
S Bucklow, Lapis lazuli, Crossing Cultures, CIHA 32nd Congress, ed. J Anderson, University of Melbourne Press, Melbourne, 2009, 468-71
S Bucklow, Medieval East Anglian Rood Screens, Leverhulme Newsletter, January, 2009, 1
S Bucklow, The Alchemy of Paint, Marion Boyars, London, 2009
R Page, Glass inlay in Europe in the thirteenth and fourteenth centuries, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 107-123
J Rose, Eighteenth- to twentieth-century documentation, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 172-183
C Titmus, Technical survey: photographs before treatment, ultraviolet and X-radiographs, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 411-426
L Wrapson (ed.), News in Conservation, 15, December, IIC, London, 2009
S Bucklow and C Heard, Reconstruction of the Westminster Retable , Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 392-400
M Kempski and M L Sauerberg, Past care and treatment of the Westminster Retable from the Middle Ages to the twentieth century, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 203-214
J Rose and W Rodwell, Post-Reformation Documentation and Use , Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 156-171
M L Sauerberg, A Roy, M Spring, S Bucklow and M Kempski, Materials and techniques, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 233-251
H Howard and M L Sauerberg, Polychrome techniques at Westminster 1250-1350, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 290-318
M L Sauerberg, M Kempski with R Marchant, J Dillon and S Davison, Treatment of the Westminster Retable , Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 372-391
S Bucklow, The virtues of imitation: gems, cameos and glass imitations, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 143-149
S Bucklow, The post-medieval environment, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 184-188
S Bucklow, Materials, wages and painting at Westminster: costing the Retable, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 341-356
S Bucklow with SRobson and N Woodhouse , Digital documentation, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 427-431
S Bucklow, Dimensions, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 432-435
S Bucklow, Analysis of materials, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 436-439
L Wrapson (ed.), News in Conservation, 12, June, IIC, London, 2009
L Wrapson (ed.), News in Conservation, 13, August, IIC, London, 2009
L Wrapson (ed.), News in Conservation, 14, October, IIC, London, 2009
L Wrapson (ed.), News in Conservation, 10, February, IIC, London, 2009
L Wrapson (ed.), News in Conservation, 11, April, IIC, London, 2009
L Wrapson, C Blackett-Ord and F Pollak, Print Quarterly: an index 1994-2003 , London, 2009
2008
S Bucklow, Stories from a building site, Conservation and Access, ed. D Saunders, J H Townsend & S Woodcock, IIC Conference Preprints, London, 2008, 126-9
S Bucklow, The pigments of the Macclesfield Psalter, The Macclesfied Psalter, ed. S Panayotova, Thames and Hudson, London, 2008, 342-3
L Wrapson (ed.), News in Conservation, 9, December, IIC, London, 2008
R Woudhuysen, Reconstruction of tempera painting techniques: some examples, including gesso sottile, Art Technology; Sources and Methods, Proceedings of the 2nd symposium of the Art Technological Source Research study , ed. S. Kroustallis, J.H. Townsend et al., Archetype Publications, London, 2008, 166-73
2007
M L Sauerberg, The Tester over the Tomb of the Black Prince, Canterbury Cathedral Chronicle, 2007, 41-44
S Bucklow, A tale of two blues, The Cambridge Illuminations, Conference postprints, ed. S Panayotova, Harvey Miller, London/Turnhout, 2007, 205-214
A Massing, On the relationship between El Greco's small-scale paintings and his larger works, El Greco's Studio, Insitute for Mediterranean Studies/Forth University of Crete, Proceedings of the Interntional Symposium Rethymnon, Crete, 23-24 September 2005, ed. Nicos Hajinicolaou, Crete University Press, Iraklion, 2007, 355-383
H Glanville, Cesare Brandi, Newton e la National Gallery London, Atti del Convegno,”Brandi oggi”, Accademia dei Lincei, Roma, June , 2007
2006
S Bucklow, The conservation of the Westminster Retable, Church Building, 97, January, 2006, 22-23
S Bucklow, Processes and Pigment Recipes: Natural Ultramarine, Zeitschrift für Kunsttechnologie und Konservierung, 20, 2, 2006, 269-277
S Bucklow, New Age Old Masters, The Object in Context, Munich IIC Conference preprints, ed. D Saunders, J H Townsend and S Woodcock, London, 2006, 267-272
P Binski and M L Sauerberg, The Fåberg St Peter, Medieval Painting in Northern Europe: Technique, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, ed. J Nadolny, K Kollandsrud, M L Sauerberg and T Frøysaker, Archetype Publications, London, 2006
L Wrapson, The materials and techniques of the c. 1307 Westminster Abbey Sedilia, Medieval Painting in Northern Europe - Technique, Analysis and Art History, Studies in Commemoration of the 70th birthday of Unn Plahter, ed. J Nadolny with T Froysaker, K Kollandsrud and M L Sauerberg, Archetype Publications, London , 2006
L Wrapson, The technical study and conservation treatment of four 2nd century AD Romano-Egyptian portraits at the Fitzwilliam Museum in Cambridge, United Kingdom, Preprints of ICOM-CC Icon and Portrait International Conference, Maryut, 2006
M L Sauerberg (eds), Medieval Painting in Northern Europe: Technique, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, ed. J Nadolny, K Kollandsrud, M L Sauerberg and T Frøysaker, Archetype Publications, London, 2006
2005
M Kempski, Retouching Mediums, Retouching Mediums, post-prints of the Icon and ABPCR conference, 2005
2004
S Robson, S Bucklow, N Woodhouse and H Papadaki, Periodic photogrammetric monitoring and surface reconstruction of a historic wooden panel painting for restoration purposes, International Archives of Photogrammetry and Remote Sensing, 35, B5, 2004, 395-401
S Bucklow, Cleaning Theories; Traditional and Modern, Zeitschrift für Kunsttechnologie und Konservierung, 18, 1, 2004, 38-50
S Bucklow, M Kempski, Summary of Technique, Paint Layers, Condition, Its Divers Arts, Patterns of Loss (chapters) and Board Dimensions, Chalk Ground, Lead Isotopes and Underdrawing (appendices), The Thornham Parva Retable, ed. A Massing, Harvey Miller, London, 2004
2003
M L Sauerberg (translation), Professor Winfried Heiber’s ‘The thread-by-thread tear mending method’, Alternatives to Lining, Preprints of the BAPCR & UKIC Paintings Section joint conference, 19th September, Tate Britain, London, 2003, 35
M L Sauerberg and A Tavares da Silva, The Coronation Chair Revisited, Studies in Conservation, 50, 3, IIC, London, 2003, 230-233
H Howard, M L Sauerberg & A. Tavares da Silva, The wall paintings of c. 1300 in the Ante-Reliquary Chapel, Norwich Cathedral and the Thornham Parva Retable, a technical comparison, The Thornham Parva Retable. Technique, conservation and context of an English medieval Painting, ed. A Massing, Cambridge/London, 2003, 189-199
M Kempski, Reconstruction of St Edmund: towards an understanding of the visibility of the underdrawing and a demonstration of the paint layer technique, The Thornham Parva Retable, Technique, conservation and context of an English medieval painting, ed. A Massing, 2003, 54-66
M Kempski and A T da Silva , Treatment, The Thornham Parva Retable, Technique, conservation and context of an English medieval painting, ed. A Massing, 2003, 74-92
A Massing (ed), Painting and Practice: The Thornham Parva Retable, Technique, Conservation and Context of an English Medieval Painting, HKI, University of Cambridge, Harvey Miller, 2003
A Massing, A short history of tempera painting, Making Medieval Art, ed. P Lindley, University of Leicester, Shaun Tyas Donington, 2003, 30-41
R Woudhuysen, The Battle of Pavia, ed. Timothy Wilson, Ashmolean Museum, Oxford, 2003
2002
M L Sauerberg and S Bucklow, Das Westminster Retabel, Westfalen, Hefte für Geschichte, Kunst und Volkskunde, 80, 2002, 355-372
S Bucklow, Digital Images for Conservation Documentation, Digital Imaging, UKIC Conference Preprints, London, 2002, 53-59
S Bucklow, Review of The Art of All Colours, Conservation News, 78, 2002, 15-16
R Woudhuysen, Review of; Michael Graf von der Goltz, “Kunsterhaltung Machtkonflikte; Gemalde-Restaurierung ur Zeit der Weimarer Republik”: Berlin, Reimer, 2002, Studies in Conservation, IIC, London, 2002
H Glanville, Introductory essay: Relativity and Restoration, and glossary of terms relating to restoration and painting technique, History of the restoration and conservation of works of art (Translation of Alessandro Conti’s Storia del restauro e della conservazione delle opere d’arte. ) , Elsevier Heinemann , 2002
2001
S Bucklow, Review of The Science of Paintings, Materials Reasearch Society Bulletin, 26, 12, 2001, 1024
S Bucklow, Pigment-Medium Interaction, the Visible Evidence, ICOM-CC, Deterioration of Artists’ Paints, Conference Preprints, 2001, 49-53
S Bucklow, The use of metals in a fourteenth century East Anglian painters workshop, New Offerings, Ancient Treasures: Essays in Medieval Art for George Henderson, ed. P Binski & W. Noel, 2001, 445-456
S Bucklow, Paradigms and Pigment Recipes; Silver and Mercury Blues, Zeitschrift für Kunsttechnologie und Konservierung, 15, 1, 2001, 25-33
S Bucklow, Patterns of Loss, ENCORE Conference, Postprints, Munich, 2001
M Kempski, Tempera Retouching, Retouching and Filling Conference, post-prints to the ABPR conference, 2001
K Schoeller-von Haslingen, M Schoeller, R Woudhuysen, Die Rosenallee; der Weg Spätwerk Monets in Giverny: Aachen, Mainz Verlag, 2001
P Woudhuysen, R Woudhuysen, Das Kunstbuchlein “Artliche kunste” aus dem Jahre 1531; eine Abschrift des deutschen Originals mit Erlauterungen, in, F. Zelger, Unser Kopf ist rund, dam it das Denken die Richtung wechseln kann: Festschrift für Franz Zelger, Hrsg. Von M. Wohigemut., Zürich, Verlag Neue Zürcher Zeitung, 2001, 529-553
P Woudhuysen, R Woudhuysen, La serie II sentiero di Roseti di Claude Monet, Treviso, Casa dei Carraresi, Monet; I luoghi della pittura, a cura di M. Goldin: (exhibition 2001-2), Conegliano, Linea d’ombra, 2001, 299-314
R Woudhuysen, Review of S. Hackney [et al], “Paint and purpose, a study of techniques in British Art”, Restauro, iv, 2001, 265-266
R Woudhuysen, Review of T. Brachert, “Lexikon historischer Maltechniken; Quellen — Handwerk — Technologie — Aichemie”, Restauro, iv, 2001, 296-298
2000
S Bucklow, Paradigms and Pigment Recipes; Natural Ultramarine, Zeitschrift für Kunsttechnologie und Konservierung, 14, 1, 2000, 5-14
S Bucklow, Consensus in the Classification of Craquelure, Hamilton Kerr Institute Bulletin, number 3, ed. A Massing, Hamilton Kerr Institute, University of Cambridge, 2000, 61-73
S Bucklow, The Thornham Parva Retable, a comparison with the Musee Cluny Frontal, Art et Chemie; La Couleur, actes du congrès, CNRS, Paris, 2000, 176-179
A Massing (ed), Hamilton Kerr Institute Bulletin, number 3, ed. A Massing, Hamilton Kerr Institute, University of Cambridge, 2000
B Ormsby and M Kempski, The comission and restoration of six portraits of the daughters of George III, by Sir William Beechey, Hamilton Kerr Institute Bulletin, number 3, ed. A Massing, Hamilton Kerr Institute, University of Cambridge, 2000, 107-118
1999
S Bucklow, The Description and Classification of Craquelure, Studies in Conservation, 44, 4, 1999, 233-244
S Bucklow, Representations of a Class of Visual Textures, Computers and the History of Art, 8, 2, 1999, 37-54
S Bucklow, Paradigms and Pigment Recipes; Vermilion, Synthetic Yellows & the Nature of Egg, Zeitschrift für Kunsttechnologie und Konservierung, 13, 1, 1999, 140-149
1998
S Bucklow, L Goldsmith, Thornham Parva Retable, IIC, Conference Preprints, Dublin, 1998, 40-44
S Bucklow, A Stylometric Analysis of Craquelure, Computers and the Humanities, 31, 6, 1998, 503-521
A Massing, French painting technique in the seventeenth and early eighteenth centuries and De La Fontaine's 'Académie de la peinture (Paris 1679), Leids Kunsthisorisch Jaarboek 1998 : Looking through paintings, London and Leiden, 1998, 319-390
A Massing, Restoration policy in France in the eighteenth century, Studies in the History of Painting Restoration, London, 1998, 63-84
J Rose , The domestic care of paintings in English country houses in the eighteenth and nineteenth centuries, Studies in the History of Painting Restoration, ed. Sitwell & Staniforth, The National Trust, 1998
1997
R Featherstone, R. Featherstone. New Insights through Restoration: Oil Paintings of India by European Masters, c. 1760 - 1830 in The Victoria Memorial Hall, Calcutta: Conception, Collections, Conservation , ed. P Vaughan, Mumbai, 1997
A Massing, A Robinson and J Purkin, A Florentine Procession: A painting by Jane Benham Hay at Homerton College, Cambridge , Cambridge, 1997
1996
S Bucklow, Formal Connoisseurship and the Study of Paintings Technique, ICOMM-CC, Conference Preprints, Edinburgh, 1996, 341-347
1995
A Massing, From books of secrets to encyclopaedias: painting techniques in France between 1600 and 1800, Historical Painting Techniques, Materials, and Studio Practice, preprints for the GCI Symposium, June 1995 Lawrence, Kansas, Getty Conservation Institute, 1995, 20-29
1994
S Bucklow, The Effect of Craquelure on the Perception of the Pictorial Image, Zeitschrift für Kunsttechnologie und Konservierung, 8, 1, 1994, 104-111
A Massing (ed), Hamilton Kerr Institute Bulletin, number 2, ed. A Massing, Hamilton Kerr Institute, University of Cambridge, 1994
1993
S Bucklow, The Third Earl of Egremont; A Patron and his Portrait, Apollo, June, 1993, 363-366
A Massing, Arnaud Vincent de Montpetit and Eludoric painting, Zeitschrift für Kunsttechnologie und Konservierung, 1993, 359-368
1991
A Massing, M Kemp, N Christie and K Groen, Paolo Uccello's 'Hunt in the Forest', The Burlington Magazine, CXXXIII, London, 1991, 164-178
1990
A Massing, Painting materials and techniques: Towards a bibliography of the French literature before 1800 , Die Kunst und ihre Erhaltung, Rolf E. Straub zum 70. Geburtstag gewidmet, Worms, 1990, 57-96
1989
M Allden (Kempski) and R Beresford, Two altar-pieces by Phillipe de Champaigne: their history and technique, The Burlington Magazine, June, 1989, 395-406
A Massing, From print to painting: Le moyen de devenir peintre en trois heures. The Technique of Glass Transfer Painting, Print Quarterly , VI, London, 1989, 382-393
1988
I McClure (ed), Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988
I McClure, The training Programme, Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988, 9-11
R Woudhuysen, I McClure and S Thirkettle, The examination and restoration of 'Henry Prince of Wales on Horseback' by Robert Peake, Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988, 15-22
A Massing and N Christie, 'The Hunt in the Forest' by Paolo Uccello, Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988, 30-47
A Massing, The examination and restoration of El Greco's 'El Esolio', Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988, 76-81
A Massing, Orazio Gentileschi's 'Joseph and Potifar's Wife': a 17th century use of bituminous paint, Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988, 99-104
1984
R Featherstone and I McClure, The Cleaning of Stubbs Hambletonian, George Stubbs, Tate Gallery (Exhibition Catalogue), London, 1984