Publications
All Publications by Year
To see publications by individual author please look at the individual academic staff profile pages
2011
J. Munro and M. L. Sauerberg, Action speaks louder than words: Thomas Couture as a teacher, Studying Old Master Paintings, Technology and Practice, The National Gallery Technical Bulletin , 30th Anniversary Conference Postprints, ed. Marika Spring, with Helen Howard, Jo Kirby, Joseph Padfield, David Peggie, Ashok Roy and Ann Stephenson-Wright, Archetype Publications in association with the National Gallery, London, 2011, 222-228
2010
S Bucklow, Impossible recipes, Sources and Serendipity, ed. E Hermens & J Townsend, Archetype, London, 2010, 18-22
S Bucklow, Cultural networks and artists’ materials, News in Conservation, 16 February, IIC, London, 2010, 6
M L Sauerberg, R. Marchant and L. Wrapson, The Tester over the Tomb of Edward, the Black Prince: the Splendour of Late-Medieval Polychromy in England, Monumental Industry: The Production of Tomb Monuments in England and Wales in the Long Fourteenth Century, ed. S. Badham and S. Oosterwijk, Shaun Tyas, Donington, 2010, 161-186
S Bucklow, The Rood Screen project, The Picture Restorer, 36, 2010, 34
S Bucklow, The state of research into retouching resins, Mixing and Matching , Archetype, London, ed. R Ellison, P Smithen and R Turnbull, 2010, 61-5
M Kempski, The Art of Tempera Retouching, Mixing and Matching: Approaches to Retouching Paintings, ed. R Ellison, P Smithen and R Turnbull, Archetype Publications Ltd. , 2010
A Massing, The History of Egg tempera as a retouching medium, Mixing and Matching: Approaches to Retouching Paintings, ed. R Ellison, P Smithen and R Turnbull, Archetype Publications Ltd., 2010
L Wrapson (ed.), News in Conservation, 16, February, IIC, London, 2010
L Wrapson and M L Sauerberg, Late medieval polychrome tomb testers in Canterbury Cathedral and elsewhere, Postprints to conference, held at Hampton Court Palace, October 2007 and March 2008, ICON, 2010, 69-93
2009
S Bucklow, Authenticity and science, Art, Conservation and Authenticities, ed. E Hermens & T Fiske, Archetype, London, 2009, 252-8
S Bucklow, Dragonsblood, Girton College Annual Review, 2009, 31-3
S Bucklow, Lapis lazuli, Crossing Cultures, CIHA 32nd Congress, ed. J Anderson, University of Melbourne Press, Melbourne, 2009, 468-71
S Bucklow, Medieval East Anglian Rood Screens, Leverhulme Newsletter, January, 2009, 1
S Bucklow, The Alchemy of Paint, Marion Boyars, London, 2009
R Page, Glass inlay in Europe in the thirteenth and fourteenth centuries, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 107-123
J Rose, Eighteenth- to twentieth-century documentation, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 172-183
C Titmus, Technical survey: photographs before treatment, ultraviolet and X-radiographs, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 411-426
L Wrapson (ed.), News in Conservation, 15, December, IIC, London, 2009
S Bucklow and C Heard, Reconstruction of the Westminster Retable , Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 392-400
M Kempski and M L Sauerberg, Past care and treatment of the Westminster Retable from the Middle Ages to the twentieth century, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 203-214
J Rose and W Rodwell, Post-Reformation Documentation and Use , Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 156-171
M L Sauerberg, A Roy, M Spring, S Bucklow and M Kempski, Materials and techniques, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 233-251
H Howard and M L Sauerberg, Polychrome techniques at Westminster 1250-1350, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 290-318
M L Sauerberg, M Kempski with R Marchant, J Dillon and S Davison, Treatment of the Westminster Retable , Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 372-391
S Bucklow, The virtues of imitation: gems, cameos and glass imitations, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 143-149
S Bucklow, The post-medieval environment, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 184-188
S Bucklow, Materials, wages and painting at Westminster: costing the Retable, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 341-356
S Bucklow with SRobson and N Woodhouse , Digital documentation, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 427-431
S Bucklow, Dimensions, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 432-435
S Bucklow, Analysis of materials, Painting and Practice: The Westminster Retable: History, Technique, Conservation, ed. P Binski & A Massing, HKI & Harvey Miller, London-Turnhout, 2009, 436-439
L Wrapson (ed.), News in Conservation, 12, June, IIC, London, 2009
L Wrapson (ed.), News in Conservation, 13, August, IIC, London, 2009
L Wrapson (ed.), News in Conservation, 14, October, IIC, London, 2009
L Wrapson (ed.), News in Conservation, 10, February, IIC, London, 2009
L Wrapson (ed.), News in Conservation, 11, April, IIC, London, 2009
L Wrapson, C Blackett-Ord and F Pollak, Print Quarterly: an index 1994-2003 , London, 2009
2008
S Bucklow, Stories from a building site, Conservation and Access, ed. D Saunders, J H Townsend & S Woodcock, IIC Conference Preprints, London, 2008, 126-9
S Bucklow, The pigments of the Macclesfield Psalter, The Macclesfied Psalter, ed. S Panayotova, Thames and Hudson, London, 2008, 342-3
L Wrapson (ed.), News in Conservation, 9, December, IIC, London, 2008
R Woudhuysen, Reconstruction of tempera painting techniques: some examples, including gesso sottile, Art Technology; Sources and Methods, Proceedings of the 2nd symposium of the Art Technological Source Research study , ed. S. Kroustallis, J.H. Townsend et al., Archetype Publications, London, 2008, 166-73
2007
M L Sauerberg, The Tester over the Tomb of the Black Prince, Canterbury Cathedral Chronicle, 2007, 41-44
S Bucklow, A tale of two blues, The Cambridge Illuminations, Conference postprints, ed. S Panayotova, Harvey Miller, London/Turnhout, 2007, 205-214
A Massing, On the relationship between El Greco's small-scale paintings and his larger works, El Greco's Studio, Insitute for Mediterranean Studies/Forth University of Crete, Proceedings of the Interntional Symposium Rethymnon, Crete, 23-24 September 2005, ed. Nicos Hajinicolaou, Crete University Press, Iraklion, 2007, 355-383
2006
S Bucklow, The conservation of the Westminster Retable, Church Building, 97, January, 2006, 22-23
S Bucklow, Processes and Pigment Recipes: Natural Ultramarine, Zeitschrift für Kunsttechnologie und Konservierung, 20, 2, 2006, 269-277
S Bucklow, New Age Old Masters, The Object in Context, Munich IIC Conference preprints, ed. D Saunders, J H Townsend and S Woodcock, London, 2006, 267-272
P Binski and M L Sauerberg, The Fåberg St Peter, Medieval Painting in Northern Europe: Technique, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, ed. J Nadolny, K Kollandsrud, M L Sauerberg and T Frøysaker, Archetype Publications, London, 2006
L Wrapson, The materials and techniques of the c. 1307 Westminster Abbey Sedilia, Medieval Painting in Northern Europe - Technique, Analysis and Art History, Studies in Commemoration of the 70th birthday of Unn Plahter, ed. J Nadolny with T Froysaker, K Kollandsrud and M L Sauerberg, Archetype Publications, London , 2006
L Wrapson, The technical study and conservation treatment of four 2nd century AD Romano-Egyptian portraits at the Fitzwilliam Museum in Cambridge, United Kingdom, Preprints of ICOM-CC Icon and Portrait International Conference, Maryut, 2006
M L Sauerberg (eds), Medieval Painting in Northern Europe: Technique, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, ed. J Nadolny, K Kollandsrud, M L Sauerberg and T Frøysaker, Archetype Publications, London, 2006
2005
M Kempski, Retouching Mediums, Retouching Mediums, post-prints of the Icon and ABPCR conference, 2005
2004
S Robson, S Bucklow, N Woodhouse and H Papadaki, Periodic photogrammetric monitoring and surface reconstruction of a historic wooden panel painting for restoration purposes, International Archives of Photogrammetry and Remote Sensing, 35, B5, 2004, 395-401
S Bucklow, Cleaning Theories; Traditional and Modern, Zeitschrift für Kunsttechnologie und Konservierung, 18, 1, 2004, 38-50
S Bucklow, M Kempski, Summary of Technique, Paint Layers, Condition, Its Divers Arts, Patterns of Loss (chapters) and Board Dimensions, Chalk Ground, Lead Isotopes and Underdrawing (appendices), The Thornham Parva Retable, ed. A Massing, Harvey Miller, London, 2004
2003
M L Sauerberg (translation), Professor Winfried Heiber’s ‘The thread-by-thread tear mending method’, Alternatives to Lining, Preprints of the BAPCR & UKIC Paintings Section joint conference, 19th September, Tate Britain, London, 2003, 35
M L Sauerberg and A Tavares da Silva, The Coronation Chair Revisited, Studies in Conservation, 50, 3, IIC, London, 2003, 230-233
H Howard, M L Sauerberg & A. Tavares da Silva, The wall paintings of c. 1300 in the Ante-Reliquary Chapel, Norwich Cathedral and the Thornham Parva Retable, a technical comparison, The Thornham Parva Retable. Technique, conservation and context of an English medieval Painting, ed. A Massing, Cambridge/London, 2003, 189-199
M Kempski, Reconstruction of St Edmund: towards an understanding of the visibility of the underdrawing and a demonstration of the paint layer technique, The Thornham Parva Retable, Technique, conservation and context of an English medieval painting, ed. A Massing, 2003, 54-66
M Kempski and A T da Silva , Treatment, The Thornham Parva Retable, Technique, conservation and context of an English medieval painting, ed. A Massing, 2003, 74-92
A Massing (ed), Painting and Practice: The Thornham Parva Retable, Technique, Conservation and Context of an English Medieval Painting, HKI, University of Cambridge, Harvey Miller, 2003
A Massing, A short history of tempera painting, Making Medieval Art, ed. P Lindley, University of Leicester, Shaun Tyas Donington, 2003, 30-41
R Woudhuysen, The Battle of Pavia, ed. Timothy Wilson, Ashmolean Museum, Oxford, 2003
2002
M L Sauerberg and S Bucklow, Das Westminster Retabel, Westfalen, Hefte für Geschichte, Kunst und Volkskunde, 80, 2002, 355-372
S Bucklow, Digital Images for Conservation Documentation, Digital Imaging, UKIC Conference Preprints, London, 2002, 53-59
S Bucklow, Review of The Art of All Colours, Conservation News, 78, 2002, 15-16
R Woudhuysen, Review of; Michael Graf von der Goltz, “Kunsterhaltung Machtkonflikte; Gemalde-Restaurierung ur Zeit der Weimarer Republik”: Berlin, Reimer, 2002, Studies in Conservation, IIC, London, 2002
2001
S Bucklow, Review of The Science of Paintings, Materials Reasearch Society Bulletin, 26, 12, 2001, 1024
S Bucklow, Pigment-Medium Interaction, the Visible Evidence, ICOM-CC, Deterioration of Artists’ Paints, Conference Preprints, 2001, 49-53
S Bucklow, The use of metals in a fourteenth century East Anglian painters workshop, New Offerings, Ancient Treasures: Essays in Medieval Art for George Henderson, ed. P Binski & W. Noel, 2001, 445-456
S Bucklow, Paradigms and Pigment Recipes; Silver and Mercury Blues, Zeitschrift für Kunsttechnologie und Konservierung, 15, 1, 2001, 25-33
S Bucklow, Patterns of Loss, ENCORE Conference, Postprints, Munich, 2001
M Kempski, Tempera Retouching, Retouching and Filling Conference, post-prints to the ABPR conference, 2001
K Schoeller-von Haslingen, M Schoeller, R Woudhuysen, Die Rosenallee; der Weg Spätwerk Monets in Giverny: Aachen, Mainz Verlag, 2001
P Woudhuysen, R Woudhuysen, Das Kunstbuchlein “Artliche kunste” aus dem Jahre 1531; eine Abschrift des deutschen Originals mit Erlauterungen, in, F. Zelger, Unser Kopf ist rund, dam it das Denken die Richtung wechseln kann: Festschrift für Franz Zelger, Hrsg. Von M. Wohigemut., Zürich, Verlag Neue Zürcher Zeitung, 2001, 529-553
P Woudhuysen, R Woudhuysen, La serie II sentiero di Roseti di Claude Monet, Treviso, Casa dei Carraresi, Monet; I luoghi della pittura, a cura di M. Goldin: (exhibition 2001-2), Conegliano, Linea d’ombra, 2001, 299-314
R Woudhuysen, Review of S. Hackney [et al], “Paint and purpose, a study of techniques in British Art”, Restauro, iv, 2001, 265-266
R Woudhuysen, Review of T. Brachert, “Lexikon historischer Maltechniken; Quellen — Handwerk — Technologie — Aichemie”, Restauro, iv, 2001, 296-298
2000
S Bucklow, Paradigms and Pigment Recipes; Natural Ultramarine, Zeitschrift für Kunsttechnologie und Konservierung, 14, 1, 2000, 5-14
S Bucklow, Consensus in the Classification of Craquelure, Hamilton Kerr Institute Bulletin, number 3, ed. A Massing, Hamilton Kerr Institute, University of Cambridge, 2000, 61-73
S Bucklow, The Thornham Parva Retable, a comparison with the Musee Cluny Frontal, Art et Chemie; La Couleur, actes du congrès, CNRS, Paris, 2000, 176-179
A Massing (ed), Hamilton Kerr Institute Bulletin, number 3, ed. A Massing, Hamilton Kerr Institute, University of Cambridge, 2000
B Ormsby and M Kempski, The comission and restoration of six portraits of the daughters of George III, by Sir William Beechey, Hamilton Kerr Institute Bulletin, number 3, ed. A Massing, Hamilton Kerr Institute, University of Cambridge, 2000, 107-118
1999
S Bucklow, The Description and Classification of Craquelure, Studies in Conservation, 44, 4, 1999, 233-244
S Bucklow, Representations of a Class of Visual Textures, Computers and the History of Art, 8, 2, 1999, 37-54
S Bucklow, Paradigms and Pigment Recipes; Vermilion, Synthetic Yellows & the Nature of Egg, Zeitschrift für Kunsttechnologie und Konservierung, 13, 1, 1999, 140-149
1998
S Bucklow, L Goldsmith, Thornham Parva Retable, IIC, Conference Preprints, Dublin, 1998, 40-44
S Bucklow, A Stylometric Analysis of Craquelure, Computers and the Humanities, 31, 6, 1998, 503-521
A Massing, French painting technique in the seventeenth and early eighteenth centuries and De La Fontaine's 'Académie de la peinture (Paris 1679), Leids Kunsthisorisch Jaarboek 1998 : Looking through paintings, London and Leiden, 1998, 319-390
A Massing, Restoration policy in France in the eighteenth century, Studies in the History of Painting Restoration, London, 1998, 63-84
1997
R Featherstone, R. Featherstone. New Insights through Restoration: Oil Paintings of India by European Masters, c. 1760 - 1830 in The Victoria Memorial Hall, Calcutta: Conception, Collections, Conservation , ed. P Vaughan, Mumbai, 1997
A Massing, A Robinson and J Purkin, A Florentine Procession: A painting by Jane Benham Hay at Homerton College, Cambridge , Cambridge, 1997
1996
S Bucklow, Formal Connoisseurship and the Study of Paintings Technique, ICOMM-CC, Conference Preprints, Edinburgh, 1996, 341-347
1995
A Massing, From books of secrets to encyclopaedias: painting techniques in France between 1600 and 1800, Historical Painting Techniques, Materials, and Studio Practice, preprints for the GCI Symposium, June 1995 Lawrence, Kansas, Getty Conservation Institute, 1995, 20-29
1994
S Bucklow, The Effect of Craquelure on the Perception of the Pictorial Image, Zeitschrift für Kunsttechnologie und Konservierung, 8, 1, 1994, 104-111
A Massing (ed), Hamilton Kerr Institute Bulletin, number 2, ed. A Massing, Hamilton Kerr Institute, University of Cambridge, 1994
1993
S Bucklow, The Third Earl of Egremont; A Patron and his Portrait, Apollo, June, 1993, 363-366
A Massing, Arnaud Vincent de Montpetit and Eludoric painting, Zeitschrift für Kunsttechnologie und Konservierung, 1993, 359-368
1991
A Massing, M Kemp, N Christie and K Groen, Paolo Uccello's 'Hunt in the Forest', The Burlington Magazine, CXXXIII, London, 1991, 164-178
1990
A Massing, Painting materials and techniques: Towards a bibliography of the French literature before 1800 , Die Kunst und ihre Erhaltung, Rolf E. Straub zum 70. Geburtstag gewidmet, Worms, 1990, 57-96
1989
M Allden (Kempski) and R Beresford, Two altar-pieces by Phillipe de Champaigne: their history and technique, The Burlington Magazine, June, 1989, 395-406
A Massing, From print to painting: Le moyen de devenir peintre en trois heures. The Technique of Glass Transfer Painting, Print Quarterly , VI, London, 1989, 382-393
1988
I McClure (ed), Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988
I McClure, The training Programme, Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988, 9-11
R Woudhuysen, I McClure and S Thirkettle, The examination and restoration of 'Henry Prince of Wales on Horseback' by Robert Peake, Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988, 15-22
A Massing and N Christie, 'The Hunt in the Forest' by Paolo Uccello, Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988, 30-47
A Massing, The examination and restoration of El Greco's 'El Esolio', Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988, 76-81
A Massing, Orazio Gentileschi's 'Joseph and Potifar's Wife': a 17th century use of bituminous paint, Hamilton Kerr Institute Bulletin, number 1, ed. I McClure, Hamilton Kerr Institute, University of Cambridge, 1988, 99-104
1984
R Featherstone and I McClure, The Cleaning of Stubbs Hambletonian, George Stubbs, Tate Gallery (Exhibition Catalogue), London, 1984